Na Doirse – New Film about Disability Coming in 2024

Na Doirse is a short Irish-language film with a message about accessibility.  A fictionalised version of the real-life experience of disabled mature student, the film takes the format of a one-woman show, but as a film rather than on stage.  The main character is in hospital after making an attempt at suicide.  She is talking to a psychiatrist, but we neither see or hear the doctor.

As the film is currently being entered into festivals, it will not be available for public viewing or on general release until mid-2024, therefore we can’t go into too much detail about it at this point.  However, it has been very well received by the people who have seen it privately – it was made as part of an MA thesis, and was awarded first class honours.

Watch this space in 2024 for more details!

Park Run Nua le Mary Tynan

My first attempt at mobile journalism, after unsuccessfully pitching the story to an actual news crew.  I decided to do it at the last minute, and didn’t have a microphone so the sound quality is very bad on the interview.  Text of the voiceover is as follows:

Seoladh Park Run nua in Ollscoil na Gaillimhe maidin inniu. Is é seo an dara Park Run sa chathair – thosaigh an chéad ceann i gCnoc na Cathrach i 2014.

Is eachtra saor in aisce é Park Run a tharlaíonn ar fud na cruinne gach Satharn ag leathuair tar éis a 9 ar maidin. Oibríonn gach duine go deonach ann. Tá céad is daichead a trí Phark Run ar siúil in Éireann gach deireadh seachtain, agus bíonn cinn nua ag tosú an t-am ar fad.

Tá an ceann nua seo eagraithe ag Anna Sheehy. Is mac léinn PhD san ollscoil í, agus bhí roinnt ball den Chumann Mac Léinn Iarchéime ann mar oibrithe deonacha freisin. Labhair mé le hAnna.

Agallamh anseo

Ghlac timpeall ar dhá chéad daoine páirt sa rith inniu, méara Cathair na Gaillimhe, an Comhairleor Eddie Hoare, san áireamh. Cé go raibh an fhearthainn ag titim go trom ag an deireadh, is dócha gur bhain an chuid is mó de sult as an ócáid, agus bhí an-jab déanta ag na heagraithe go léir.

Is mise Mary Tynan in Ollscoil na Gaillimhe.

 

 

It’s Clearly Christmas by Loyola

Loyola describe themselves as the first music band to come out of Galway Ireland!  While that is clearly a joke, their brilliant first single is clearly not.  Launched just in time for Christmas, It’s Clearly Christmas takes a critical look at the excesses of the season.  A strong melody, clever lyrics and haunting chords make this debut our Christmas Number 1.

You  can follow Loyola on Instagram at @loyolatheband, purchase the single at bandcamp, itunes or apple music, or listen to them on Spotify, Tidal, or your favourite music streaming app.

 

 

Happy Ever After? by Mary Tynan

In a follow-on to I Need a Vaccine, Mary gives us a new take on an old classic (Bobby’s Girl), especially for New Year’s Eve.  What happens when you get what you think you want? She says:

“I actually wrote this parody before Vaccine – on Valentine’s Day 2021 (I was hosting an alternative online party for single people that night) – so it is my first ever song parody, but I didn’t get around to making a video until now.  I promised myself that I would get it done in 2021 though, so here it is.”

TW: this song contains swearing and feminism.  If you have ever used the words “Not all men” in a non-ironic way, then please don’t watch.

 

Kick or Treat, by James Keaney

It’s doubtful that any other person, apart from the artistic director, has contributed to Notes From Xanadu in as many different ways as James Keaney.  He has been both front of house and backstage for all of our live performances in the theatre, as well as playing the piano in our launch concert and taking the part of Colm in Riders to the Sea last December; he did work experience on all aspects of the arts centre during TY (transition year in secondary school, for readers outside Ireland); and has shared his work as a prolific composer/musician with us on many occasions.  And it’s in this last guise that we are featuring him today: James has released a new single especially for Hallowe’en, and we think it’s delightfully spooky.  This is Kick or Treat! 

If you would like what you hear, you can follow James on Youtube and Soundcloud (and on Notes From Xanadu, of course).  James’ albums can also be purchased at Bandcamp.

Canadh agus Caint – Part Three

There will be a third session of Canadh agus Caint returns for a second session on Wednesday, 25 August, at 7.30 pm.  We will start off by learning a simple song in Irish, and then see where the conversation takes us.  Irish speakers of all levels are welcome, from complete beginners (we recommend Duolingo) to fluent Gaeilgeoirí.  As usual, you need to register for this in advance by emailing notesfromxanadu@hotmail.com, and materials will be sent out in advance

This month, Canadh agus Caint will be hosted by our artistic director Mary Tynan, and we will be learning Bean Pháidín.  See you there!

Beidh an triú seisiún Canadh agus Caint ar siúil ar an gCéadaoin, 25 Lúnasa, ag 7.30 pm.  Beidh muid ag foghlaim amhrán simplí as Gaeilge, agus ansin, tar éis an canadh, an caint.  Beidh fáilte roimh daoine le gach leibhéal Gaeilge.  Mar ghnáth, ní mór duit clarú le haghaidh an imeacht – seol ríomhphoist chuig notesfromxanadu@hotmail.com – agus seolfaidh muid nasc agus focail an amhráin duit roimh an oíche.

Beidh Canadh agus Caint óstailte le ár stiúrthóir ealaíne, Mary Tynan, agus beidh muid ag foghlaim Bean Pháidín. Bígí linn!

Chronic, by Mary Tynan

I’m the person you don’t see –
The person with ME,
The person who’s hidden
Away in her room;
Often in bed,
Stuck in her head,
Maybe reading a book,
Or listening to a tune,
Making friends on Facebook or Twitter

We’ve been forgotten
For many a year,
But come a pandemic,
And we appear;
Now we can watch a play,
Go to a class,
See our friends on a video call –
Suddenly, we’re part of it all,
Included at last

But what happens to us
When usual returns?
Do we also return –
To our rooms, our cocoons?
Will we be forgotten again
When you’re making new plans –
When things return to normal?

Mary Tynan

Xanadu Reading Challenge – June 2021

One of the lovely things about being an online arts centre is that Notes can Xanadu can feature writing and literature alongside other art forms.  With this in mind, we have created a reading challenge for 2021.  Each month there will be a theme, with several sub-categories, and the challenge is to read one or more books each month to fit the topic.  Feel free to add sub-categories, the only rule is that one book each month should be a new read.  The entire challenge can be downloaded in pdf format here.  We also have an Excel spreadsheet, thanks to Karin Hammarstrom, one of our participants, which you can also download, and use to track your progress.

Every month, we’ll introduce the theme and sub-categories in a post like this, and also give some reading suggestions.  The sub-categories are only a guide, feel free to adapt and expand as you like.  Please leave a comment and tell us what you are reading, and whether you are enjoying it, or any other information that you would like to share with your fellow readers.

For , the theme is Language.

Sub-categories:

• a book in a language with which you are familiar, but don’t read in very often, if at all.
• (if you are monolingual) a beginner’s “Teach Yourself” book in a language you are interested in.
• a coding manual in a programming language you don’t know, or in which you have more to learn
• a book about the history of language or linguistic

Reading suggestions:

. Le Petit Prince by Antoine de Saint Exúpery
. Harry Potter in any language
. Teach Yourself .. in 24 hours

I’m reading:

Teach Yourself Javascript in 24 hours

Come back next month for our July suggestions, and don’t forget to leave a comment below to tell us how you got on in May or June!  Happy reading!

 

Stitch ‘n’ Bitch at Xanadu – June 2021

Our next Stitch ‘n’ Bitch takes place on Thursday, 17 June, at 6.30 pm BST, in one of the rooms of Xanadu Online Theatre.  For those who haven’t heard the term before, a Stitch ‘n’ Bitch is when people get together to work on their various projects while having a natter and a bit of craic at the same time.

The Xanadu Stitch ‘n’ Bitch is hosted by Aoife Flood, a highly experience knitter, who will be on-hand to answer any questions and offer help; beginners are welcome.  You don’t have to be knitting though: you can crochet, embroider, sew, or do any other craftwork you may have underway.

The event is co-hosted by Notes From Xanadu Artistic Director Mary Tynan.  If you wish to attend, please register by emailing notesfromxanadu@hotmail.com.  See you there!

About our host: Aoife Flood’s knitting journey began on a trip to New Zealand in 2007, when she came across a book of designer knitting patterns while browsing in a shop. She decided that, if she wanted to have these designer clothes, the best way was to knit them herself. So that was it; she got the bug and has been hooked ever since. Aoife will sharing some of her wonderful work with us in a gallery exhibition in the coming weeks.  She is wearing one of her own pieces in the photo.

Canadh agus Caint – Part Two

After a successful launch in April, Canadh agus Caint returns for a second session on Thursday, 10 June, at 7.30 pm.  We will start off by learning a simple song in Irish, and then see where the conversation takes us.  Irish speakers of all levels are welcome, from complete beginners (we recommend Duolingo) to fluent Gaeilgeoirí.  As usual, you need to register for this in advance by emailing notesfromxanadu@hotmail.com, and materials will be sent out in advance

This month, Canadh agus Caint will be hosted by Suzanne Ledwith and Julia Kennedy, with assistance from our artistic director Mary Tynan.  See you there!

Beidh an dara seisiún Canadh agus Caint ar siúil Deardaoin, 10 Meitheamh, ag 7.30 pm.  Beidh muid ag foghlaim amhrán simplí as Gaeilge, agus ansin, tar éis an canadh, an caint.  Beidh fáilte roimh daoine le gach leibhéal Gaeilge.  Mar ghnáth, ní mór duit clarú le haghaidh an imeacht – seol ríomhphoist chuig notesfromxanadu@hotmail.com – agus seolfaidh muid nasc agus focail an amhráin duit roimh an oíche.

Beidh Canadh agus Caint óstailte le Suzanne Ledwith, Julia Kennedy, agus Mary Tynan. Bígí linn!

Suzanne Ledwith and BoyManDead Double Bill

On Saturday 29 May, at 7.30 BST, we are delighted to be hosting a double bill live concert in the theatre, in front of a small, select audience.  The two musicians concerned both performed at the launch concert for Xanadu Online theatre back in September 2020.  The gig will be recorded and streamed to a larger audience at a later date.  In the meantime, both artists have given us a taster to be getting on with!

Suzanne LedwithSuzanne Ledwith is a multimedia artist from Mullingar. Something stirred once Suzanne heard and saw a guitarist playing.  After a few weeks of friends showing her chords and mastering the F major chord quickly, she knew she had to have a guitar.  Enter a KC 110, parlour style, nylon string acoustic with a heavy bass end.  Fingerstyle songs, her favourites.

She was asked to join a band and went from bedroom to pub corner to stage, to festivals and then competitions. Her first band was with Patricia Raleigh on lead and rhythm guitar and Suzanne on lead vocals and acoustic guitar.  Later joined by Monica Raleigh on bass guitar and Paul Muldoon on drums, they were known as Dreams of Id.

“Suzanne Ledwith has the voice of an angel.” – Hotpress magazine

Suzanne went solo after the band broke up, then to college to do a BA in Music and Philosophy in NUI Maynooth.  She returned to Mullingar and began to work as a teacher in the Further Education Sector, where she still works.  She completed a Higher Diploma in Further Education in NUI Maynooth and finally a Masters in Community Music in Limerick University, which influenced her musical style, prompting her to explore more folk and world music.

During the Higher Diploma, she began playing with Steve O’Keeffe (The Pale) on drums and percussion and later Bernard Byrne (The Pale) on bass guitar and Roger Mullarkey on wooden flute.   Darren Flynn mixed a 7 track EP (Darren studio recorded 4 tracks, and Frank Byrne live recorded 3), called Change of Address.  This was released in 2006 with gigs in Crawdaddy, Dublin and The Stables, Mullingar.

Suzanne played live with Dónal Lunny and Máirtín O’Connor at the Festival of Fires, at the Hill of Uisneach in Co Westmeath in 2012, and for the past few years’ she has been working on an album project with Dónal when time allows.

“Suzanne Ledwith’s songs are unique.  They carry the emotional charge that music and lyrics can deliver when they are expressed by a true artist.” – Dónal Lunny

Three of the songs from this ongoing project have just been released as an EP.  Where lines Meet was recorded by Suzanne, mixed and pre-mastered by Dónal Lunny and mastered by Ivan O’Shea (live Sound Engineer with Danú).  Here’s a taster of both the EP (which you can buy here) and the concert: Leaving Ireland.

 

BoyManDeadBoyManDead is the musical alias of Chris Levens. Mainly because he was bored of just saying his own name when he did gigs or promoted his stuff. It kind of backfired as he still has to say it so you actually know who he is and he can take credit.  Chris hails from the United Kingdom, more specifically the unassuming county of West Sussex.

Having picked up a guitar a little later in life, he finds himself in his early-to-mid-thirties at a level some have called “relatively proficient” and by which his mum is extremely impressed.  He’s played in a few different bands over the years, in amongst performing on his own. Influences include Kurt Vile, Bon Iver, Jeff Buckley, Neil Young and The Eagles to name but a few. The resulting effect is always soulful, lyrically intricate and hopefully with a catchy tune woven in there somewhere.

In addition to the music, Chris is also a professional actor and has appeared in shows in London’s West End as well as many regional playhouses throughout the UK.  More recently, he play the part of Ivan Vassilevitch in Xanadu Online Theatre’s production of Anton Chekov’s The Proposal in December 2020.

He’s currently based in California’s Bay Area where he lives with his wife Ariel. Here’s a sample of what’s in store for his audience on 29 May: California Winter.

Stitch ‘n’ Bitch at Xanadu – May 2021

Our next Stitch ‘n’ Bitch takes place on Thursday, 20 May, at 6.30 pm BST, in one of the rooms of Xanadu Online Theatre.  For those who haven’t heard the term before, a Stitch ‘n’ Bitch is when people get together to work on their various projects while having a natter and a bit of craic at the same time.

The Xanadu Stitch ‘n’ Bitch is hosted by Aoife Flood, a highly experience knitter, who will be on-hand to answer any questions and offer help; beginners are welcome.  You don’t have to be knitting though: you can crochet, embroider, sew, or do any other craftwork you may have underway.

The event is co-hosted by Notes From Xanadu Artistic Director Mary Tynan.  If you wish to attend, please register by emailing notesfromxanadu@hotmail.com.  See you there!

About our host: Aoife Flood’s knitting journey began on a trip to New Zealand in 2007, when she came across a book of designer knitting patterns while browsing in a shop. She decided that, if she wanted to have these designer clothes, the best way was to knit them herself. So that was it; she got the bug and has been hooked ever since. Aoife will sharing some of her wonderful work with us in a gallery exhibition in the coming weeks.  She is wearing one of her own pieces in the photo.

Xanadu Reading Challenge – May 2021

One of the lovely things about being an online arts centre is that Notes can Xanadu can feature writing and literature alongside other art forms.  With this in mind, we have created a reading challenge for 2021.  Each month there will be a theme, with several sub-categories, and the challenge is to read one or more books each month to fit the topic.  Feel free to add sub-categories, the only rule is that one book each month should be a new read.  The entire challenge can be downloaded in pdf format here.  We also have an Excel spreadsheet, thanks to Karin Hammarstrom, one of our participants, which you can also download, and use to track your progress.

Every month, we’ll introduce the theme and sub-categories in a post like this, and also give some reading suggestions.  Please leave a comment and tell us what you are reading, and whether you are enjoying it, or any other information that you would like to share with your fellow readers.

For May, the theme is Music.

Sub-categories:

. a biography or autobiography of a musician or composer
. a novel where music is one of the main themes
. a book that teaches you how to play an instrument

Reading suggestions:

. High Fidelity by Nick Hornby
. Lady Sings the Blues by Billie Holiday
. John W Schaum Adult Piano Course Book 1

I’m reading:

The Song of the Lark by Willa Cather

Come back next month for our June suggestions, and don’t forget to leave a comment below to tell us how you got on in April or May!  Happy reading!

 

Are You Goin’ to the Ploughin’, by Breda Hyland

And I’m still not ready,
when the day arrives,
and the alarm kicks me
out of bed.
I jump into faded denim jeans,
and second best runners,
and throw on a jacket
just in case.
“Sure it could come wet at the ploughin’.”

The neighbours have already left.
I fill the flask and grab the lunchbox
and the dark blue wellingtons,
I bought at the sale in Paul Byron’s
The day before.
Before I know it,
The early morning sun
Is flooding my eyes,
And Screggan is waking up
To the arrival of locals and strangers
And families and foreigners,
queuing to get through the barriers
“to make the most of the day at the ploughin’.”

The men in boots and wellingtons
And arthritic legs and walking sticks,
stand in admiration of the pedigree cattle,
and new breeds of sheep
never seen before.
No wool, no tails, no horns
with name they can’t pronounce
from countries never seen,
“By Jove you’d see strange things at the ploughin’.”

They saunter in groups,
And fill their pockets with brochures
And special offers,
For the day that’s in it,
And half listen to reps,
promoting minerals and vitamins
for guaranteed growth.
and it makes them hungry too
“and you can’t beat a good breakfasht at the ploughin’.”

The stands are surrounded
By girls and women and ladies
Sampling eye shadow and mascara
And buy one, get one free.
And the coat in the wooden hanger
“one size fits all” half price offer
And I wait in the queue
And it hasn’t fitted anyone yet
And it doesn’t fit me either.
And the assistant picks up her business card
“I have more online if you like to browse”
“Sound, I’ll check it out after the ploughing.”

There’s a bright yellow solus bag
Going free at the electric stand.
Well you wouldn’t be seen dead
Wearing it at home
But now it becomes the latest fashion accessory
You fill it with biros and keyrings,
And leaflets and brochures
And you enter competitions to faraway places
Never heard of before,
But you will hear of again
Because they now have your mobile and email
“Isn’t that the whole idea of taking a stand at the ploughin’.”

At midday I saunter over to Aldi
And get a selfie with Daithí
And taste the free food
And meet the neighbour that
I never meet at home
And the conversation moves
Through three generations
In thirty minutes
“and you could bump into anyone at the ploughin’.”

The men with the boots and wellingtons
Are now trying out the new machinery
And look at the size of that John Deere
And how in God’s name
Would it fit through the gap at home
If you could afford it
And the trailer to go with it
If you had enough grass to fill it.
And the sales rep says convincingly
“there’s a few thousand off today for the ploughin’.”
Evening sun sets in Screggan,
And the crowds dwindle
To get out before the rush.
I’m still browsing and I spot
The brown and cream scarf
That I have always wanted
Three for a tenner sounds good.
I wave to the camera on the way out
And hope I’ll be home in time to see myself
On television.
Walking across the car park,
Two farmers lament and moan
How everyone is carried away at the stands
“and sure no one goes to see the ploughing at all.”

Breda Hyland

Snug Sings “When I’m 64,” by Aurora Adams

We’re only 1 year old, not 64, but nevertheless we hope you enjoy our second piece of the weekend by highly-talented puppeteer Aurora Adams.

Sally, by Jackson Lara

As part of Day 3 of our birthday celebration, we give you Episode Three of The Prison Podcasts. This is the story of a unique and interesting correctional officer – Sally.

(Please note: this piece might not be suitable for younger listeners.)

Jackson Lara spent nine years working in men’s medium to high security prisons in New Mexico.  He first started as a correctional officer, then used his teaching credential to teach GED material to men preparing for the GED test.

 

Philipa Farley

Books

Do you read on an e-reader? Do you buy electronic books? Do you buy paper books from stores that may or may not collate your purchases and share them with Amazon and the likes, anyway? Do you use apps like Goodreads to get recommendations, store read and want to read type lists, and to share read books with connections?

Last year, I watched “Online privacy is broken; this is how we fix it” a TEDX GEM talk by Emerald De Leeuw.

I also retweeted a tweet about an (older) mom who had been on Snapchat for a month where she captured her husband, a public school librarian, ranting in the most decent way possible. Two of the snaps stood out for me: one with him refusing to stock a biography of President Trump* and the other about Barbar the elephant being racist, colonialist rubbish. Whilst I absolutely applaud his principled stand, does he as a librarian have the right to censor information that could be put in a section labelled something like: things you should not do and people you should not emulate?

In the recent past, I may or may not have done work that may or may not have involved none or several public libraries. Whilst data protection and privacy were not the focus of that particular piece of work, the subject matter was a subset. Discussion centred around the usefulness of maintaining user reading history versus the expectation of privacy. Librarians like to have access to the list to recommend, when asked, however, the potential to profile (via the electronic management system) the individual using their reading list exists. Librarians generally voted in favour of not retaining the user history and rather discussing with the user asking for recommendations at the time. With the ability to shape the thoughts of a community, librarians are far more powerful than I think they realise.**

Articles have been popping up on my timeline recently about privacy, data protection and Amazon knowing more about you than anybody else. A certain BBC documentary aired the other evening citing the number of data points collected per person per ONE click on the website. Add to this the tracking of reading material via the Kindle ecosystem.*** At this point, Amazon could probably make you the movie of your future life and be 99% accurate.

This is not a piece on digital versus paper as I’ll point you back to the third question above and the TEDx talk. Whilst to some extent, our identity can be influenced and moulded according to the mores of the community within which we live, our identity is no longer influenced but rather curated. Also, curated at the speed of light to suit the motives of the highest bidder. What is the antidote to this? I like to think mindfulness. Do we need an antidote? What do you think?

*Respect the office, etc.
**Disclaimer: this is most definitely not a Tomcats reference.
***And social media posts, etc etc.

 

Out for a Walk, by Colin Byford

We’re starting the final day of our birthday celebrations with our third photography feature.  It’s nice to have so many of the artists who took place in our launch weekend one year ago come back and join us for the birthday celebrations!  Colin has had two previous exhibitions with us, Water and Bugs.  He describes himself as follows: “I have had a 4 plus decade relationship with photography mostly as a high level amateur and a couple of years fully professional both in Ireland and back home in New Zealand.  My main commercial work to date has been in family and event photography.

I am fascinated by the technical aspects of photography. I learn the capabilities of the equipment and then push them. When combined with my computing background I can get some pleasing results. Sadly the artistic side is hard to teach but I am told I have a good eye.

I hope you enjoy my images. Prints of all these images are available to buy up to A3 size.  My website is www.byfocal.ie and I am on fotocommunity.com as Colin S Byford.”

Cat Coup, by James Keaney

Notes from Xanadu is delighted to be featuring another track from the prolific James Keaney as part of our birthday celebrations. As you probably know, James has been heavily involved with Xanadu Online Theatre, taking part in the launch concert, playing the  role of Colm in our production of “Riders to the Sea” in December 2020, as well as taking on several roles front of house and behind the scenes in both the theatre and the arts centre. Today’s track is called Cat Coup, and is taken from his new album, Wait. If you would like to hear more from James (why wouldn’t you?) you can follow him on Youtube and Soundcloud (and on Notes From Xanadu, of course).  Wait, and James’ previous album can be purchased at Bandcamp.