Tag Archives: man

May 17 2021

Suzanne Ledwith and BoyManDead Double Bill

On Saturday 29 May, at 7.30 BST, we are delighted to be hosting a double bill live concert in the theatre, in front of a small, select audience.  The two musicians concerned both performed at the launch concert for Xanadu Online theatre back in September 2020.  The gig will be recorded and streamed to a larger audience at a later date.  In the meantime, both artists have given us a taster to be getting on with!

Suzanne LedwithSuzanne Ledwith is a multimedia artist from Mullingar. Something stirred once Suzanne heard and saw a guitarist playing.  After a few weeks of friends showing her chords and mastering the F major chord quickly, she knew she had to have a guitar.  Enter a KC 110, parlour style, nylon string acoustic with a heavy bass end.  Fingerstyle songs, her favourites.

She was asked to join a band and went from bedroom to pub corner to stage, to festivals and then competitions. Her first band was with Patricia Raleigh on lead and rhythm guitar and Suzanne on lead vocals and acoustic guitar.  Later joined by Monica Raleigh on bass guitar and Paul Muldoon on drums, they were known as Dreams of Id.

“Suzanne Ledwith has the voice of an angel.” – Hotpress magazine

Suzanne went solo after the band broke up, then to college to do a BA in Music and Philosophy in NUI Maynooth.  She returned to Mullingar and began to work as a teacher in the Further Education Sector, where she still works.  She completed a Higher Diploma in Further Education in NUI Maynooth and finally a Masters in Community Music in Limerick University, which influenced her musical style, prompting her to explore more folk and world music.

During the Higher Diploma, she began playing with Steve O’Keeffe (The Pale) on drums and percussion and later Bernard Byrne (The Pale) on bass guitar and Roger Mullarkey on wooden flute.   Darren Flynn mixed a 7 track EP (Darren studio recorded 4 tracks, and Frank Byrne live recorded 3), called Change of Address.  This was released in 2006 with gigs in Crawdaddy, Dublin and The Stables, Mullingar.

Suzanne played live with Dónal Lunny and Máirtín O’Connor at the Festival of Fires, at the Hill of Uisneach in Co Westmeath in 2012, and for the past few years’ she has been working on an album project with Dónal when time allows.

“Suzanne Ledwith’s songs are unique.  They carry the emotional charge that music and lyrics can deliver when they are expressed by a true artist.” – Dónal Lunny

Three of the songs from this ongoing project have just been released as an EP.  Where lines Meet was recorded by Suzanne, mixed and pre-mastered by Dónal Lunny and mastered by Ivan O’Shea (live Sound Engineer with Danú).  Here’s a taster of both the EP (which you can buy here) and the concert: Leaving Ireland.

 

BoyManDeadBoyManDead is the musical alias of Chris Levens. Mainly because he was bored of just saying his own name when he did gigs or promoted his stuff. It kind of backfired as he still has to say it so you actually know who he is and he can take credit.  Chris hails from the United Kingdom, more specifically the unassuming county of West Sussex.

Having picked up a guitar a little later in life, he finds himself in his early-to-mid-thirties at a level some have called “relatively proficient” and by which his mum is extremely impressed.  He’s played in a few different bands over the years, in amongst performing on his own. Influences include Kurt Vile, Bon Iver, Jeff Buckley, Neil Young and The Eagles to name but a few. The resulting effect is always soulful, lyrically intricate and hopefully with a catchy tune woven in there somewhere.

In addition to the music, Chris is also a professional actor and has appeared in shows in London’s West End as well as many regional playhouses throughout the UK.  More recently, he play the part of Ivan Vassilevitch in Xanadu Online Theatre’s production of Anton Chekov’s The Proposal in December 2020.

He’s currently based in California’s Bay Area where he lives with his wife Ariel. Here’s a sample of what’s in store for his audience on 29 May: California Winter.

Feb 22 2014

Short but Sweet

The Fat Man's Wife 5 - courtesy Simon AnnandCanal Cafe Theatre presents The Fat Man’s Wife by Tennessee Williams

It is always intriguing to hear about a “new” play from a celebrated dead playwright.  Although written in 1938, The Fat Man’s Wife remained unproduced throughout Williams’ lifetime, having its first staging in New York in 2004.  This is its first UK production.  Despite the excitement of the new, however, there is also slight suspicion – why would the work of an extremely successful and well-regarded writer be so neglected?  It was therefore with curiosity mixed with apprehension that I arrived at the Canal Cafe on Thursday night.

I had never been to this theatre before, but from previous knowledge I had been expecting an arrangement of tables and chair, café- style.  However, the company had decided to perform in traverse, which was an excellent choice, as it really made the best of the space available.  Incorporating an actual window into the set, rather than covering it up was also a good idea.

I was first drawn to Williams’ work after seeing a film version of The Glass Menagerie, featuring Karen Allen as Laura, and this has remained my favourite of his plays.  The Fat Man’s Wife appears to have many similarities with the story of Shakespeare’s sister, in that they are both slightly gentler than much of the writer’s other work, while still containing the sense of claustrophobia and restriction that characterises the majority of his plays.

All three actors did a wonderful job.  Damien Hughes, as Dennis Merriwether, conveyed the exuberance and indestructibility of youth and the frustration when he realises that eagerness and enthusiasm isn’t going to be enough, in a lively, engaging way.  Emma Taylor (Vera) had our sympathy as the middle-aged woman trapped in a loveless marriage, who nevertheless is too scared, or too realistic, to escape.  We could feel her pain, and, even more, her weariness.  Although his part was small, Richard Stephenson Winter, still managed to portray Joe as a figure to be pitied, a victim of his own appetites, and made Vera’s decision to stay with him believable.  The play was ably directed by Russell Lucas, with assistance from Anne Harris.

Without knowing the background of this play, however, it comes across as the first act of a two act play, with the second act missing.  The ending is abrupt, and it feels as if the characters could have done with a lot more development.  But once you take into account the fact that it was one of Tennessee William’s earlier pieces of writing, and look at it as a sort of rehearsal for his later works, it becomes a fascinating piece of theatre, well worth the price of admission.

The Fat Man’s wife is running Thursday – Sunday at the Canal Cafe Theatre, Little Venice until 2 March, Sundays at 7pm, all other shows at 7.30pm.  For tickets and more information, please visit www.canalcafetheatre.com.  Picture by Simon Annand.

Mary Tynan