Hungry for Love, by Breda Hyland

Breda is a writer from the West of Ireland.  She tells us, “I write for a pastime, about ordinary, everyday things, but I like to throw my imagination to the wind and sometimes I laugh at what comes into my mind! I write best in my head, when I’m driving through the fields, out in the open air. It’s harder to come home and put it down on paper, but I’m usually happy with the end result.”

Please note that this poem contains adult themes.

You drove me to Galway
in your Ford Granada,
to buy me a dress, you said,
for the local Macra social.

At 62 you were a devoted member,
I was a novice at 29.
Your car tax was out of date so you
hid it in a laneway nearby.

I stepped out in deep puddles
that soaked my stilettoed feet.
You whisked me past Moons in case
I spotted the designer dress in their window.

Anthony Ryan’s winter sale –
The best in the west, you said.
You bought your last suit there
twelve years ago, maybe more.

I tried on and hinted disapproval
at the colour and the style,
You couldn’t wait to get your hands on it
reduced to half price.

No time for food, you said,
you had to check the Charolais cow
and the new-born calf –
a valuable pedigree heifer.

Next year at the Claremorris show
she’d make the best continental.
You’d win the cup, not to mention the
money and the photo in the Western

and I’d get my hair done,
that place in the corner, you said,
where your mother goes,
she gives good discount on a Friday.

You had your way as usual.
We ate the bacon and cabbage,
cooked by your mother,
when we got home

And you the lucky girl, she said,
you’ll never want for anything.
Prosperous farmer, fine house
I puked her words (and the dinner) down the sink.

Later that night at the Macra social,
like the pedigree in the ring,
you paraded me around the ballroom,
proud of the female trophy on your arm.

And they all gazed and whispered.
And she an only child, they said.
And her land adjoining his, they said.
And wasn’t he always after young ones anyhow.

On the way home, another laneway,
the back seat covered in dog hairs.
My brown hair fell into the half open bag
of Maverick (or was it Frisky).

The plug of the calf dehorner
dug into my lumbar vertebrae.
Thank god it was round,
the damage superficial

And you held me like the calf
in the crush, about to be castrated,
never going to get away
and neither was I.

Your arthritic limbs caused
awkward manoeuvres in the dark.
You moaned and groaned agony and ecstasy.
Was the pleasure really worth the pain?

My dress was full length and fitted,
you cursed because it was waisted
you never wasted anything in your life before,
and I thanked god it was over

And my mind drifted back
to the dress in the window in Moons,
glad I didn’t fall for it after all –
I’m almost sure it was short and flared.

Breda Hyland

Belfast Girl: A Love Story

As it’s now less than two weeks till opening night, I wanted to let everyone know about Belfast Girl: A Love Story, from London Irish Theatre.

Set in the aftermath of the Good Friday Agreement, Belfast Girl: A Love Story considers the human dimension of the Northern Ireland question, and uncovers the personal costs of political struggle.  Annie is the Belfast Girl of the title: a working class protestant who grew up during the troubles.  Her marriage to Orangeman Billy is on the rocks, and an unexpected visit from English Catholic Dave, her childhood sweetheart who she hasn’t seen since her teens, brings matters to a head in an explosive manner.  The play is written and directed by John Dunne, and features Mary Tynan (me) as Annie and Ian Macnaughton as Dave.

The story of Dave and Annie has been through several incarnations over the years.  The first, titled Belfast, premiered in the 1990s and featured the couple as teenagers, with Tanya Franks as Annie.  I become involved during the second incarnation, Belfast Boy, which was written to be the second play in a double bill with Geraldine Aron’s A Galway Girl, touring in 2009/10.  This was a two hander, with the older Annie and Dave meeting again after many years.  Belfast Girl followed in the summer of 2010, and I played Annie for the second time in a completely new work which also featured Annie’s brother and husband.  This play has recently had a Belfast run, in which the story was expanded to include two further characters.

Belfast Girl: A Love Story returns to the two-handed format, but with a twist.  There may be only two actors, but there are more than two characters!  I’m really looking forward to playing Annie again, and would like to invite readers of Notes From Xanadu to join the audience.  Previous versions Belfast and A Belfast Boy have both received critical acclaim from the press, and Belfast was a Time Out Critic’s Choice.

“John Dunne’s sensitive squint at the Ulster legacy adapts well to the stage.  What’s impressive about the rapid stucco of tense, bite-sized scenes is that they’re eloquently counterpointed by a driving commitment to character development.”  Time Out

“A sharply realistic play still willing to speak for love, however guarded, as the central human value.” City Limits

 “Fantastically gripping.”  What’s On

 “Moving stories in an Irish odyssey.”  Camden New Journal

Belfast Girl: A Love Story is playing on both sides of the Thames this Summer.  It opens on 20August 2013 at the London Theatre, New Cross, running nightly at 8pm until 24 August, with a Sunday matinee on 25 August at 4pm.  It then runs from 27 to 29 August nightly at 7.30pm at the Babble Jar, Stoke Newington and from 30 August to 1 September at the Precinct Theatre, Islington, with all performances there also at 7.30pm.  Tickets can be bought on the door, from the London Theatre Box Office (www.thelondontheatre.com), and from www.irish-theatre.com .

Belfast Girl: A Love Story