A South Sea Turtle Reflects

“I see babies smile,” sang Louis Armstrong. So do I, Satchmo, and I think to myself: what on earth are they smiling about?

They have to contend with faeces-filled clothing, regular bangs on the head, and twenty miniature daggers of bone slowly slicing their way through their gums – which, in an absurdly vicious twist, also causes agonising inflammation of the arse. This is why we retain no memories of the first three years: because they’re hell.

It’s all to play for when you’re a baby. Everything is at stake. You’ve got to be careful not to eat from the cat’s litter tray, not to attract the nickname “Urinal”, not to turn out a heroin addict. Every beautiful little child, every dribbling, wobbling bundle of boundless potential, has a chance, however remote, of ending up in Real Madrid or Portlaoise Prison, of becoming an astronaut or a car clamper. We’re like those heartbreaking South Sea turtles that hatch on the beach and then have to dodge massed ranks of waiting predators to get to the sea – except it takes us 30 years to get there.

But when you’re a baby, you don’t know any of this. All you know is that damned screwdriver simply will not fit into the stupid electricity socket. All you know is that Mum insists on trying to perch you on the toilet even though you’ve told her about the dinosaurs lurking below. All you know is that there’s nothing Dad can say or do which would be even half as bad as the intolerable existential pain incurred by not being allowed to watch Toy Story right this second – who cares if it’s midnight?

A baby’s screaming has been scientifically proven to be the third most irritating noise in creation, close behind Robbie Williams singing and the words “Hi, could I just have a minute of your time?” Nature, in her wisdom, has gifted the infant humanoid with this infallible mechanism for drawing the attention it needs. But nature ain’t so smart (see also: the Chihuahua, Mike Myers, ragwort, breech birth). The infant’s siren call can easily repel the assistance it is intended to solicit.

But babies will squawk and toddlers will roar regardless, sometimes in duet, sometimes even kicking off just as Mr Williams comes on the radio and a charity mugger commences his spiel. At times like that, it’s easy to lose your temper. Remember, though, you were once the same. Sure, you were probably shouting for a nice new stick, or maybe a pig’s bladder to kick around the boreen, rather than the latest Bratz whore-doll or this week’s Man United jersey, like the kids of today.

But have some compassion, gather all your kindness and patience. We can never understand what babies are going through, but we know it’s bloody tough. In a few short years, they’ll have forgotten too, and they’ll be grey, slope-shouldered adults like the rest of us. These moments are fleeting. Treasure them now, tantrums and all.

 

The Internet is too small

The Internet is too small for me.

What’s that you say, Google?  Seventy-eleven gazillion web pages indexed?  Pah.  That’s kindergarten stuff, a puny collection, about as impressive as Donald “Big Brain” Trump reciting the ten times table.  Sure, there’s lots of info out there: if I search for details of artists who work exclusively in the medium of baby duck faeces, for example, the web will ask me to “please specify type of duck”.  But if I then search for jobs for these envelope-pushing visionaries, the electronic ether smugly reports that it found no matches, suggesting instead that I might be interested in some crudely hand-drawn erotica which clearly violates Disney and Warner Brothers copyrights, as well as the laws of good taste, physics and most civilised nations.

This just isn’t good enough.  Now that we’ve sloshed about a bit on the oily, trash-polluted waters of this ocean of cultural bilgewater, we naturally want to sail on bravely, endlessly, like Detective Columbo in the Santa Maria, further and further over the horizon, chasing that last elusive Wikipedia citation on the episode where Pikachu teams up with Akira to defeat nine (yes, NINE!) Digimon in magic battle.

I want, as a bare minimum, blanket CCTV coverage of every celebrity (defined as min 5MHz, or at least five Mickeyhartes), with MMS alerts to notify me immediately every time they go to the bathroom.  I want 3D walkthroughs of every “ghost” estate of unsold housing in the country, schadenfreude-oozing showcases where our on-screen cadavers or avatars or whatever the hell they’re called can scribble begrudgist graffiti on the virtual walls.

I want jobs websites specifically for waterfowl faecal rendering specialists.  I want 10,000-word reminiscences of every politician in the country from everyone they ever went to school with, also their results, disciplinary records, and scanned PDFs of their homework.  I want insider revelations of every dirty trick used by every single profession, from actuaries to zoologists, to separate people from their money.  I want to download endless hours of whalesong, or at the very least a passable dolphin tribute act, to help my insomnia.  I want pictorial tutorials on how to replace every single part in every single consumer appliance ever made, from cars to electric chairs.  I want to know what the second assistant cameraman on “Metropolis” thought of director Fritz Lang, I want to know how many joints George Harrison smoked while watching Lennon and McCartney squabble over the creation of “Let It Be”, and I want to know exactly where in Upton Park my Uncle Billy stood as he cheered the Hammers on to victory over Ipswich in April 1986.

After all, information wants to be free [(TM) and (C) Selected Sarcasm Corporation 2020. All Rights Reserved].

The Springheel Saga

Wireless Theatre Company have contacted me with the exciting information that Series Two of the popular Springheel Saga, entitled The Legend of Springheel’d Jack, will be released online on 6 December 2013.  In the meantime, here is a review of Series One to whet your appetites.

The Strange Case of Springheel’d Jack

Wireless Theatre Company’s take on the Spring-Heeled Jack story is an atmospheric, exhilarating, beguiling piece of radio drama.  The writers have taken the known facts of the case and expertly weaved them with a story of devil worship that appears to pay homage to “The Daemons” (the Jon Pertwee Doctor Who story from the 1970s).   Doctor Who influences are everywhere, from the opening music (which also strangely reminds me of “Dallas”), to Julian Glover’s participation as Lord Wayland, to the fact that the lead character is called Jonah Smith.  The eagle-eared among you will spot other parallels as you listen, but I wouldn’t want to give everything away!

Gareth Parker and Robert Valentine’s storytelling is excellent.  The dialogue holds your interest and manages to elucidate the plot expertly, whilst simultaneously depicting and delineating the various characters in a sympathetic manner.  The writing is of a very high standard throughout, with some marvellous lines and phrases which stick in the memory – my favourite being “reform bills that pass like ghosts through Parliament’s bladder!”

The writing is greatly assisted by the sound in all three episodes.  Both Francesco Quadraroupolo’s music and Andrew Swann’s sound effects help to build the atmosphere to the point where you can almost see what is going on.  I could easily imagine myself in Victorian London, and the devil worshipping ceremonies were particularly effective.  Of course, this is also largely due to the quality of the acting; the way that everything is edited together (Andrew Swann again) and the overall production values of the serial.

With a cast of 23, it is impossible for me to mention everyone, suffice it to say that all should be extremely proud of their performances.  Christopher Finney and Matthew Jure gave strong, believable, sympathetic performances as Constables Jonah Smith and Toby Hooks respectively, as did Jessica Dennis in the lead female role of Charlotte Fitzrandolph.  All of the female characters were played very well – I particularly like landlady Mrs Bairstow, played in an amusing and entertaining manner by Lizzie Goodall.  Julian Glover was a marvellously nefarious villain, and Jack Bowman did a wonderful job of portraying the evil and menacing Mr Chough.

The Strange Case of Springheel’d Jack is in three episodes: The Ghost of Clapham Common; The Crypt of Evil and The Face of the Fiend.  Each of these can be downloaded free from www.wirelesstheatrecompany.co.uk.  Further episodes are promised, which I, for one, shall certainly be on the lookout for!

Mary Tynan

First published on Blogtor Who.