Hampstead’s Village People: Portraits of Cultural Icons; Ryan Gander: The Artists have the Keys
On Friday, I payed a visit to two highly contrasting properties in Hampstead, where the National Trust were celebrating the opening of two new exhibitions.
First on the itinerary was Fenton House, which is hosting Hampstead’s Village People: Portraits of Cultural Icons, in partnership with the National Portrait Gallery. The photographs are tastefully housed in two rooms on the ground floor, and cover a range of artistically influential people from the area over the last 100-plus years. I was particularly taken by the pictures of Daphne du Maurier and Cecil Beaton, as well as Peter Barkworth, whose writing had previously made a great impression on me.
Then it was on to explore the house. I was intrigued to learn that 55 of the paintings on permanent display were bequeathed by Peter Barkworth, and there are some wonderful paintings in Fenton House. There are also rather a lot of harpsichords – on average two per room on the first floor. Glass cabinets full of china and what I would describe as knick-knacks in each room complete the eclectic collection.
Before leaving, my companion and I took a stroll about the gardens, which are well worth a visit. Beautifully laid out, on several levels, they seemed to induce a sense of peace and serenity in me, especially seeing the spring flowers just starting to appear.
Secondly, we visited 2 Willow Road, the home of architect Erno Goldfinger, for Ryan Gander’s The Artists have the Keys. Gander has been interested in Goldfinger’s work since 2005, and he has approached the current exhibition in an extremely immersive fashion, almost as if he was asking what else might Goldfinger have added to the house himself. Gander’s art is place amongst other objects in the property, and guest are given a list of which pieces are in which room, but with no other indication as to location. I enjoyed this mini-challenge, which was similar to a live hidden-object game, at the same time as appreciating the house in it’s totality and all the other art contained within. Gander’s work is very much in sympathy with the style of the place, which also hosts work by Bridget Reilly and Max Ernst, to name but two. I particularly enjoyed Things just happen to me, a chess set inspired by components from a Bedford truck circa 1975.
I found the house itself fascinating, from the bed that folded up into a cupboard, to the sliding doors between rooms, to the photographs stuck inside the bathroom cabinet. A couple of very helpful volunteers were kind enough to share their vast wealth of knowledge about Goldfinger, his wife, and the house with us, and I went away feeling stimulated and informed. I couldn’t stop myself saying “No, Mr Bond, I expect you to die,” at least once though!
Both Fenton House and 2 Willow road are open from 11am-5pm, Wednesdays to Sundays (last admission 4.30pm), but entry to 2 Willow road prior to 3pm is by tour only. For more information and admission prices, please visit www.nationaltrust.org.uk or telephone 020 7435 3471 (Fenton House) or 020 7435 6166 (2 Willow Road).
Photographs courtesy of Sam Roberts.